Monday, March 13, 2023

1943-11-16 Thieves Fall Out

This Robert L. Richards script is Gene Kelly’s first of many appearances on Suspense. Though he had extensive experience acting on stage, appearing in this kind of role was considered as “against type” for him. He had broad positive recognition (and strong box office) for his dancing roles in musicals, and here he’s playing a black marketeer. Kelly’s character in the story has run up loans to others in a similar unsavory business. So… he steals what he needs! This is not his typical role.

Gene Kelly was one of the biggest stars to appear on Suspense, and there would be other appearances, too. He sometimes replaced a star who had sudden commitments elsewhere, such as on the movie set. Even on comparatively short notice he was able to step up before the microphone. The Wikipedia page describes his long and varied career better than this blog post can. https://en.wikipedia.org/wiki/Gene_Kelly

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP431116

THE CAST

GENE KELLY (Art Kramer), Hans Conried (Kennelly), Bill Johnstone (Sam Gross), Joe Kearns (Man in Black / Officer Jim), Harry Lang (Joe), Ken Christy (“Mac” McPhail), unknown (Rita), Horace Willard?

At the end of the broadcasts, the announcement about the new schedule for Suspense is repeated.

This story was included in Suspense Magazine #2, without a change in title. The PDF is available on the same Internet Archive page as this recording.

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Sunday, March 12, 2023

1943-11-09 Cabin B-13

The first performance of this script on 1943-03-16 is missing; this is the second and final performance of the script. The script was used in BBC Appointment with Fear series on 1943-09-11; no recording has survived.

John Dickson Carr builds this story on an urban legend of “the vanishing lady” or “the vanishing hotel room” that began with a newspaper story in 1897. A mother was sick and she sent her daughter out for an errand, but when she returns there is no such hotel room and no trace of her mother. The story concludes with the authorities saying that her mother died of the plague and they needed to hush things up so there would not be a panicked mass exodus from Paris and the international exposition that was being held there. The concept was used in many stories, radio programs, television programs, and movies; this time the story takes place on a ship, but authors have used the plot on planes, trains, and land locales.

For Cabin B-13, the story begins with newlyweds taking a cruise to pre-war Europe for their honeymoon. They bring their gifts and savings amounting to $10,000 in cash ($170,000 in US$2023!) and will spend three months traveling about Europe. Today, no one would bring that much money with them, and they would use credit cards and electronic funds transfer. Such things were not available at the time in the format we are so used to them now. The money is to be locked in the ship’s safe, but the husband disappears and so does the money.

The bride has been ill. We’re told that she is recovered from “brain fever,” which is an unsophisticated name for meningitis. She is getting her strength back, but this is Carr’s story device to indicate that she is vulnerable and subject to some nefarious deed, building sympathy for the character, and laying the groundwork for others to say she is prone to memory loss and misunderstanding of reality. That nefarious deed is, like the “vanishing lady,” that no one believes that the husband has been with her on the cruise, and that the room she thought she had doesn’t exist!

Blogger Christine Miller says that the name of the ship in the story is SS Maurevania and the name was derived from a real ship, Cunard's Mauretania or Mauretania II.

Philip Dorn plays the role of the ship’s doctor. He was born in the Netherlands and started his career there and continued it in Germany. He came to the US two weeks before WW2 began, and started his Hollywood career. He was usually a supporting player, often in roles of European characters from Nazi officers, to members of the French Resistance, and everything in between. After the war, he appeared in theater and film in the US and in Europe. A stage accident in the mid-1950s limited his career. RadioGoldindex lists Dorn in only two surviving radio appearances, both for Suspense.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP431109

THE CAST

PHILIP DORN (Dr. Karl Heinrich), MARGO (Anne Brewster), Dennis Hoey (Captain Wainwright), Hans Conried (Marshall), Joe Kearns (Man in Black), Bill Johnstone (Ricky Brewster)

Three recordings of this episode have survived. The network recording is the best of the three. There is an AFRS release, and a late 1970s/early 1980s AFRTS release. Those recordings were stripped of cast information and often their script titles to make them seem “less dated” for the audience of that period which included service personnel and their families and civilians in the area. Even at that time, AFRTS stations were in areas that had limited television services, and sometimes none, and radio drama was good entertainment for those areas.

CBS created a Cabin B-13 series around the characters in 1948, but Carr would have trouble keeping up with the weekly deadlines. He ended up re-using Suspense scripts toward the end of its run to catch up with time. The series proved too much of a burden and was cancelled.

The script was adapted to the movie "Dangerous Crossing" in 1953 starring Jeanne Crain and Michael Rennie. It can be viewed at https://youtu.be/gjk6v3dee0c or https://archive.org/details/dangerous-crossing-1953

The announcement about the two different days for east and west broadcasts is reiterated from the prior week.

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Saturday, March 11, 2023

1943-11-02 Statement of Employee Henry Wilson

What happens when you’re happy in your job and it seems your managers are happy with you… and then another employee comes along and starts undermining and questioning your work? Wilson decides he’s had enough, and decides to get even.

This was author John Shaw’s first script for Suspense. William Spier took a liking to him and used his work multiple times on the series and the year he was producer of Philip Morris Playhouse. The script was adapted for Suspense Magazine #3 as “Fool Proof” and for the Suspense comic book as “The Corpse Came Back.”

Gene Lockhart plays Wilson. His Broadway career began in 1916, and his Hollywood one began in 1922 in silent movies. He was an actor, singer (popular and opera), playwright, and teacher (Julliard School) and found his way into all those roles in New York and California for his entire and very long career. He was nominated for an Oscar as a supporting actor in Algiers and was one of film’s busiest and most reliable actors.

His daughter was June Lockhart, a Tony and Emmy award winner, known for beloved television roles in Lassie and Lost in Space. Gene played the lead role in this script in 1943 and when it was repeated in 1946. June starred in the 1957 Suspense episode Shooting Star.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP431102

THE CAST

GENE LOCKHART (Henry Wilson), Bill Johnstone (Detective Lewis), Hans Conried (Dodds), John McIntire (Larkin / Judge), Joe Kearns (Man in Black / Jim, the elevator boy), Jay Novello (Tom Higby), unknown (Mrs. Dodds)

The plan for separate day broadcasts for East & Central on Thursdays and Mountain & Pacific the following Mondays beginning 1943-12-02 is announced at end of program

This story was included in Suspense Magazine #3 with the name “Fool Proof.”

Shaw corresponded with collector Randy Eidemiller in 1997 after the publication of the Suspense log co-authored with collector Chris Lambesis. Shaw did not pursue a career in radio writing, though obviously good at it. He wrote to Eidemiller “I wrote while single. Once married it became advisable to get a more predictable job….to do what Twain suggested...'When at first you do not succeed, get a civil service job.’ I am retired now and think of radio writing as having been done on another planet.” Shaw did take a job in Rhode Island state government, and lived past 100 years old.

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Friday, March 10, 2023

1943-10-26 After-Dinner Story

This is a Cornell Woolrich story that was originally released under his pseudonym "William Irish." The story was adapted by Robert L. Richards. The big news about Suspense was behind the scenes: Roma Wines agreed to sponsor the series… more information about that below.

A man whose son was murdered in a tragic elevator crash a year before invites the survivors to dinner in hopes of exposing the killer. He says he knows who the killer is but can’t prove it, so he poisoned that man’s dinner... and put the antidote on the table within reach of all of the guests. The killer has half an hour to reach for the antidote, and in doing so, will reveal his guilt. Will an innocent guest grab the antidote in case the host wrongly gave them the poison? Will the killer take the antidote and save their life but admit their guilt? Will the killer wait in case the host is bluffing? It’s a good, improbable story that is worth the listen just to see what happens.

Otto Kruger was another big and active Hollywood star (six films released in 1943 alone) whose presence was adding credibility to Suspense. He made two appearances on Suspense, and this episode is the only surviving one. The other was the hour-long Bet with Death in early 1948 that has yet to be found. He played all types of roles in film and on television, even playing a judge for an episode of Perry Mason.

This story was presented on the Suspense television program on 1949-04-12. It also starred Kruger. No kinescope of the broadcast has been found.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP431026

THE CAST

OTTO KRUGER (Hardecker), Bill Johnstone (MacKenzie), Lou Merrill (Prendergast / Elevator Operator), Hans Conried (Kenshaw), Joe Forte (Lambert), John McIntire (Police Chief), Joe Kearns (Man in Black), Ted Von Eltz (Johnson the Butler / Cop), Albert Van Antwerp (Leslie Hardecker), unknown (Mrs. McKenzie)

The surviving network recording has some disc scratchiness on the second disc. The overall sound of the recording is very good.

At the end of the presentation, there is an announcement that Suspense is moving to Thursdays beginning on 1943-12-02. It will be at 8pm Eastern time, 7pm Central time, and 6pm Mountain time. Pacific time is not mentioned. This information would be changed the next week.

Roma Wines had agreed, through its ad agency, that it would sponsor Suspense. Being a sponsor, they wanted a good time to reach their audience. This would entail having live east and west broadcasts. Unfortunately, the prime Thursday night position had already been committed to another advertiser by the CBS Pacific Network. It was not possible to clear Suspense for a single night at the times Roma wanted.

The solution to the problem was resolved after this broadcast and was announced the following week. The Eastern and Central time zones would get a live Suspense performance on Thursdays. The Mountain and Pacific time zones would get their live Suspense performance on Mondays. This format would last until the Fall 1944 season began in mid-September. By then the Pacific Network would no longer have a contract that blocked Suspense from being heard nationally on a single night.

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Thursday, March 9, 2023

1943-10-19 Lazarus Walks

A man who almost died has developed an ability to foretell the future. The phrase “near death experience” was not really in the vocabulary of the time, but that’s the way we’d describe it today.

In the story, a man is in surgery and is technically dead for a few minutes… but is resuscitated. The experience leaves him with a psychic ability to detect when people are lying! His doctor, played by Welles, befriends the man… and has a nefarious motive behind the acquaintanceship.

It’s not the best story, but it’s an entertaining premise. Not much was known about psychology or parapsychology at the time, so the portrayal almost seems cartoonish, like you’d see in some B-movies. Listening to it all these years later it’s probably more amusing than serious, but it may have been considered more serious to its 1940s audience. The 1946 version with Brian Donlevy as the doctor and the musical and sound effects when the psychic lie detection occurs are better (and more humorous) in that presentation. Hans Conried plays Holcombe in both broadcasts.

Conried has been appearing on numerous of these Suspense episodes. He was one of the most successful actors on radio, a master of dialects, and equally at home in comedy and drama. Many know him as “Uncle Tonoose” from the Make Room for Daddy comedy series with Danny Thomas. One of his greatest Suspense performances was on House in Cypress Canyon where in addition to acting supplied all of the ghoulish noises. He was yet another actor who was never the big star but he had a much longer and more successful career than many of the stars he worked behind.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP431019

THE CAST

ORSON WELLES (Dr. Graham), Hans Conried (Roger Holcombe), Joe Kearns (Man in Black), unknown (Isabel), unknown (Aunt Jane)

Robert L. Richards adapted the script for Suspense from a submission by Marion Speed.

Newspapers did not have word about this script being used, so it was obviously a last days-before-broadcast decision. The script plans changed with the delay of Donovan’s Brain. And CBS also changed the broadcast day of Suspense from Thursday to Tuesday with this broadcast.

Only an Armed Forces Radio Service recording has survived. It is a good recording, but there is some mild distortion here and there that does not affect enjoyment of the program.

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Wednesday, March 8, 2023

1943-10-07 Philomel Cottage

The original plan for Orson Welles’ four-week stint on Suspense was to use the last two weeks for the two-part presentation of Donovan’s Brain. The plans were scrapped and delayed. The production schedule for The Lady and the Monster, the movie based on the Donovan’s Brain novel, slipped and was going to miss its original target release date. The studio did not want the Suspense broadcast to be the first release of the property. Welles had used the Republic Pictures script to develop the radio adaptation.

You can usually tell which scripts William Spier liked best by whether he used them again or not. This is a repeat performance of repeat of 1942-07-29 Philomel Cottage, and is the first full production that has survived. Only the second part of the 1942 performance is available. Details about that broadcast is at https://suspenseproject.blogspot.com/2023/01/1942-07-29-philomel-cottage.html and the recording is at https://archive.org/details/TSP420729 Spier will use the script again at the end of 1946.

The story is based on Agatha Christie’s Love from a Stranger about a newlywed who suspects her husband is planning to have her killed. It was adapted by Harold Medford.

Many of the newspapers did not receive the information about the delay of Donovan’s Brain and likely surprised listeners with the unexpected and very dissimilar Philomel. The first production of this play had little publicity because Suspense was “just a summer replacement” and did not get the full attention of the CBS promotional team. Now, this “last minute” change meant that the script had almost no promotion again. But… everyone knew that Orson Welles would be on the air for Suspense once more.

The only surviving recording seems to be an aircheck. It has background noise and a constrained audio range and requires closer-than-usual listening compared to the other Suspense recordings in the project. The broadcast begins with a promotional announcement about the Durante-Moore show.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP431007

THE CAST

ORSON WELLES (Gerald), GERALDINE FITZGERALD (Alix Martin), Joe Kearns (Man in Black / Narrator), Lou Merrill (Dick), unknown (George the gardener), unknown (Police constable)

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Tuesday, March 7, 2023

1943-09-30 The Lost Special

It is funny to read the newspaper announcements for this broadcast. The original story is written by Arthur Conan Doyle and nearly every listing notes that it’s not a Sherlock Holmes story. That’s true, it’s not. Just managing listener expectations, I guess. This story originally appeared in The Strand in 1898.

Like the prior broadcast of The Most Dangerous Game, this adaptation is by Jacques Anson Finke.

A “special” is like what a chartered bus or plane would be today. It’s not on the regular schedule and paid for privately.

Monsieur Caratel arranges for a private train to go from Liverpool to London. The train leaves without incident. The stations the train passes report on its progress and all is well… until it disappears! The solution to the crime seems implausible because of the number of people and the weight of all of the materials to prepare for the diversion of a locomotive and its car… and the money involved to make it all happen. There’s a conspiracy behind it all and part of the story involves whether or not the identities of the people behind the event will be revealed.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP430930

THE CAST

ORSON WELLES (Franc DeLerniac), Eric Snowdon (Hood / Senator), Lou Merrill (Louis Carotel), Alec Harford (3rd and 4th voices), Joe Kearns (Man in Black / Narrator/ 2nd voice) [unknown actors as James Bland / James McPherson / Matagarko / Ralph]

The text of the original story can be found at the online Arthur Conan Doyle Encyclopedia https://www.arthur-conan-doyle.com/index.php/The_Story_of_the_Lost_Special#The_Story_of_the_Lost_Special

The story was later produced on Escape on 1949-02-12. That broadcast did not use the Finke adaptation but a different one by Les Crutchfield.

An AFRS recording survives, with Howard Duff as the opening AFRS voice. Howard has a difficult time getting “Suspense” to sound exactly right to those familiar with the network opening.

Thanks are owed to disc collector Randy Riddle for providing his recording of the episode.

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