Friday, January 31, 2025

1956-01-10 Two Platinum Capsules

This Charles B. Smith story is claimed to be based on fact, and it may very well be on a particular incident in Ohio, but only a few facts of that story. The plotline is of its time in the early years of post-WW2 atomic science which had heightened the fears of radioactivity. Stacy Harris narrates, Harry Bartell plays a local man with a Geiger Counter, and Richard Beals plays his son, Johnny.

This particular story is set in a hospital where there are small capsules of radium stored away in a safe. When a nurse goes to retrieve two of them, she realizes that two of them are missing. Where are they? We soon learn that an eleven-year-old boy has them, with 100 milligrams (mg) of radium in each capsule.

The nurse tells the head of the hospital, Dr. Hutter, that the capsules may have been taken by a doctor who is starting his own practice. He considers her suggestion to be cynical. The fact is that the capsules may be lost because an error she made. At one point in the story, the doctor actually starts to reconsider her suggestion as possibly true.

Luckily, there is a person in town who has a Geiger Counter. (Oh, it is such an amazing coincidence that he’s the father of Johnny, the boy who found the capsules in the local dump!) He is a “uranium hunter” seeking to find deposits out in the desert that might be mined. As he and the doctor walk through the building, they get a strong reading near the room where the radium was stored, to be expected, but nowhere else in or near the hospital. A little detective work leads them to a dump, where the hospital’s garbage is dropped. After some prodding, the attendant remembers two boys playing, Johnny and his friend Peter, and having something like the capsules. The father heads home, and sits down for dinner, hoping that someone finds those boys. It just so happens that Johnny is fascinated with the new Geiger Counter and wants to turn it on. The father tells him it’s not a toy, but he finally turns it on. The Counter gets very loud, registering the presence of the capsules. He’ll be okay. And that nurse? She’s the evil one in the story, hoping that the missing capsules would be blamed on an employee she did not like.

Charles B. Smith was a radio and television scriptwriter who also had a long acting career from the 1930s through the 1960s in films and television. He won many awards through the years from the Screen Writers Guild and other organizations. He played “Dizzy” in 1940s Henry Aldrich films. He had eight Suspense scripts produced, six under Antony Ellis and two under William N. Robson.

There are three surviving recordings of this episode. There is a new Armed Forces Radio Service recording (AFRS#565), that has been freshly transferred from disc and is in superb sound. It is the preferred recording for listening. There is a complete network recording that is in very good sound. Finally, the third available recording is a low quality aircheck of unknown origin. It is not clear whether that recording is an edited network recording or an AFRS one. It has flaws that imply that it is an aircheck from either origination. It could be a network home recorded aircheck with the mid-show break edited out and the closing music shortened, or it could be an edited home aircheck from an Armed Forces Radio Service station by someone stationed there or living nearby.

The young boy whistles The Ballad of Davy Crockett from the 1955 5-part ABC TV series Davy Crockett. Episodes were combined to make a theatrical release in the Summer of 1956. Walt Disney used the fees from ABC and the movie to help finance the construction of Disneyland.

It is considered that 100mg of radium as described in the story, the amount in each capsule, should be in a lead container with 2-inch walls. So when they are in the young boy’s pocket, it is considered very dangerous exposure. They explain the potentially dangerous outcome away in that the capsules were moving about in his pocket and he did not have them for a long period of time.

Geiger counters were available in 1955 for $50, about $600 in US$2025. https://www.orau.org/health-physics-museum/collection/survey-instruments/1950s/shelby-instrument-company-gammascope-geiger-counter.html

The title was changed from the original “Two Platinum Needles,” to “Two Platinum Capsules.” Note that the description the boy uses in the story says “two little pieces of metal.” Both phrases can be accurate. Newspaper readers and radio listeners seeing or hearing the “needles” title may have mistakenly assumed the story might be about drug addiction. Hypodermic needles were often made of platinum. Drug addiction was in the news a few weeks before broadcast with the release of the film The Man with the Golden Arm, starring Frank Sinatra. Because needles could be associated with drug use, it seems reasonable that they decided to change the episode title since they did not want a story about radiation casually confused with that topic. The “needles” title was announced at the end of The Eavesdropper. Not a single newspaper timetable had the new title in its listings.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP560110

THE CAST

Stacy Harris (Narrator), Harry Bartell (George Murphy), Richard Beals (Johnny Murphy), Edgar Barrier (Dr. Karl Hutter), Peter J. Votrian (Peter), Virginia Gregg (May Murphy), Jeanne Bates (Helen Webster), Junius Matthews (Henry the Watchman / Mailman), Helen Kleeb (Nurse Burton), Tom Hanley, Bill James (Ad-Libs), George Walsh (Suspense Narrator / Mailman)

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Madame Curie, a pioneer in the study of radiation, died of an anemia from long term exposure. The story of “the radium girls,” who painted watch faces and other products that allowed one to see the time of day in the dark, experienced severe medical issues, including death, from working with the product. https://explorethearchive.com/the-radium-girls The danger of direct exposure to radium was well known, and the aftermath of the atomic bomb explosions in Japan heightened the concerns of exposure. Like other Suspense episodes about fire and rabies, this storyline would seem more concerning to the listeners of 1956 than it would be today. Modern handling of radioactive materials is much different than it was then with rigid procedures and more effective containers. This site about jewelry has some very good background, too https://www.vintagegoldwatches.com/2023/09/are-radium-dial-watches-dangerous/

The story that may have been a springboard for the plotline got national news coverage in July 1955. In 1951, an x-ray company in Cincinnati had a tiny platinum capsule of radium, just 50mg, that exploded. The workers were decontaminated quickly, but it was only realized later on that the workers were spreading radium dust from the explosion throughout the building. In July 1955, the building was still closed. In December 1955, the landlord sued the x-ray company for their negligence since they could not have access to or rent the building. The legal issues took years to resolve, but the building likely had to be destroyed… and buried. It was finally settled with the insurance companies for $104,000, or about $1.25 million in US$2025 in July 1956. Newspaper stories kept referring to the building as being haunted by an “atomic-age ghost.” The settlement was appealed, but the court upheld it in 1957, six years after the incident.

As late as 1987, there was a platinum capsule incident in Brazil that was analyzed in a publication of the US National Institute of Health. The abstract of the report is as follows:

The Goiânia incident: In September 1987, two men in Goiânia, Brazil, discovered an abandoned international standard capsule containing less than 100 g of cesium-137 chloride. The material was unguarded, and the warning systems were inadequate and inscrutable. The men took the capsule and sold it for scrap, and within days the city would be contaminated with highly radioactive material. Within weeks, 112,000 individuals would be screened for radioactive contamination, 249 would be exposed to radioactive materials, 46 would receive medical treatment for radioactive contamination, and four would die from acute radiation sickness. The citywide radioactive contamination occurred, in part, due to arbitrary and unfamiliar written warning systems. The individuals who discovered the cesium-137 capsule were illiterate and unfamiliar with the radiation trefoil logo, which was first used in 1946 in California, United States of America. As a result, written language and visual symbols were useless warnings against the dangerous contents of the capsule.

The NIH report is at https://pubmed.ncbi.nlm.nih.gov/37535035/#:~:text=The%20goi%C3%A2nia%20incident%3A%20In%20September,systems%20were%20inadequate%20and%20inscrutable

Another report about the Brazil incident has more details...

...the workers thought it was harmless “glitter” used in decorations, and they brought it home. Some applied it to their bodies, just for amusement. “Thinking that the substance was similar to carnival glitter, several people took the magical powder home. Reports said that some children rubbed the powder all over their bodies. One man slept with the powder under his bed and another carried it around in his pocket. A woman slept in clothing that was dusted with the powder.

On September 28, the scrap dealer went to a public health clinic complaining of severe vomiting and blistered hands and skin. Radiation sickness was correctly diagnosed. In the days that followed, 244 persons were found to have been contaminated, and 54 required hospitalization for test and treatment. Four people subsequently died and more than a dozen were seriously ill. The eventual toll of the accident will include hundreds of increased cases of cancer and genetic defects.”

This report is at https://www.scienceteacherprogram.org/physics/Garcia00.html

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Thursday, January 30, 2025

1956-01-03 The Eavesdropper

This episode has been missing for decades. It was considered “truly missing” because the script was performed only one time on the series. The recording was acquired by a group of classic radio enthusiasts in a purchase of a stack of Armed Forces Radio Service discs in 2023.

Lawrence Dobkin and Charlotte Lawrence star in a Don Yerrill script about a couple being threatened by a blackmailer. They want to end his hold over them by planning his murder. They set up an alibi and a mutual story that supports it. The blackmailer arrives at their twelfth floor apartment, as expected, and asks for his $5,000 (about $60,000 in US$2025 value). Assured that no one know the blackmailer was there, the husband shoots him, using a pillow to muffle the sound. The nervous wife, shaken by the incident, tries to get into the bathroom to take a medication to calm herself down… but the door is locked from the inside… and they realize that a plumber was quietly working in the apartment’s bathroom… and heard everything that transpired! The plumber refuses to leave, knowing he’s in danger. They try to bribe him, to no avail. The plumber will stay as long as he can, and signal for help by turning the bathroom light on and off in a pattern once darkness falls. The husband leaves, hoping to sneak around the ledge of the building and enter the bathroom through a window. The wife tells the plumber he left, and he doesn’t believe her. The husband walks the narrow ledge that is around the exterior of the building. He gets to the bathroom window, and breaks it. He starts to lose his balance. The plumber tries to help him by offering his hand, but it’s too late, and he falls to the ground below. The wife is shattered by the incidents of the day, pleading her innocence. The plumber comes out of the room, and calls the police.

The ending of the story was shortened by a few moments, and a few lines were edited out. They can still be seen in the script. After the plumber calls the police, he calls home. His daughter answers the phone and he says “Mummy there?… Put her on, will you?” He tells her “Got held up,” thinks better of that phrasing, then corrects himself by saying “… bigger job’n I thought it’d be… Yeh, I’ll be home in an hour or less I should think… All right, then – keep it hot for me…”

This is another situation where a modern day writer would have to adjust the plot for smartphone technology. The plumber could quietly phone 911, or text someone for help. Or, they’d have to add a line with the plumber noting that he left his smartphone in his truck. It would have to be explained away in some manner.

This is Don Yerrill’s second and final Suspense script. The first was The Shelter (1954-10-28) and information about him can be found at https://suspenseproject.blogspot.com/2024/11/1954-10-28-shelter.html or https://archive.org/details/TSP541028. The Scotland-based author’s biggest claim to fame was as a decades-long crossword puzzle author for the London Times Literary Supplement, which he did until his passing when he was 92 years old.

In the last 15 years in the classic radio hobby, there has been only one network transcription of a “truly missing” episode found. All of the others have been Armed Forces Radio Service (AFRS) transcriptions. There was a time when AFRS recordings were considered to be of lesser value than network recordings. Over the decades, however, it has been worthwhile for collectors to hunt down sources and auctions, even overseas, for AFRS and AFRTS discs. Those transcriptions, sent around the world to AFRS and AFRTS stations, have been essential in the preservation of classic radio. Finding of this long-lost episode underscores the value of such efforts.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP560103

THE CAST

Lawrence Dobkin (Dave), Charlotte Lawrence (Karen), Herb Ellis (Harris), Parley Baer (Bill Withers), George Walsh (Narrator)

NOTES: It is amusing that Parley Baer’s character has the same name as 1970s and 1980s singer and performer Bill Withers. Writers and radio producers had systems to avoid using names of prominent people in their scripts. Withers’ career and notoriety would not make its significant rise until 15 years later.

Classic radio enthusiast, researcher, and modern-day performer Patte Rosebank notes another “Withers” connection. The plumber's name as Bill Withers is a reminder of actress Jane Withers, In 1963, she would play “Josephine the Plumber,” in commercials for Comet Cleanser. There is a commercial with her on YouTube https://youtu.be/NEDB-4dEY5M


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Wednesday, January 29, 2025

1955-12-27 The Mystery of the Marie Celeste

This is the second broadcast about the Marie Celeste, a ship found intact, adrift at sea at sea about 700 miles west of Gibraltar, but without its crew. The episode proposes a fictional solution to the strange 1872 maritime mystery. The ship still held cargo and personal belongings of the crew. Writer Gil Doud adds to the mystery by inserting a subplot of a murderer who attempts to escape police detection by stowing away on board just before the ship leaves port. He is found, but is allowed to stay, but they figure out that he is a murderer, and throw him in the brig. One morning he wakes up, still restrained, hears a lot of noise of people outside, and then silence. He realizes he is all alone on the ship as it starts moving again.

The original 1953-06-08 broadcast starred Van Heflin. Details about that broadcast and the history of Marie Celeste and speculations about its mystery are at

Two recordings of this broadcast have survived. The network recording has background noise, some distortion, and narrow range. The recently discovered Armed Forces Radio Service recording (AFRS#563) is in excellent full-range sound, and is the preferred recording.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP551227

THE CAST

John Dehner (Sam Newcomb), Joe Kearns (Police Officer + Captain Briggs), Paul Frees (Hubbard + Passerby), Vic Perrin (Narrator), Ben Wright (Bowle), Joe DuVal (Lindley the Deckhand), Helen Kleeb (Mrs. Grace Briggs), Larry Thor (Suspense Narrator)

Kearns and Frees played the same roles in the 1953 broadcast.

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Tuesday, January 28, 2025

1955-12-20 The Cave

This Antony Ellis script is a favorite among classic radio enthusiasts for playing year after year during the Christmas season. It was first broadcast on Escape on 1950-12-24.

It is about two curious young boys who use the flashlight one received to go exploring in a nearby cave where there may be some pirate treasure. As they go deeper into the cave, they find a stream, and what must be a big cavern, but it is confusing when they see stars above, even though it is clear that they are still in the cave. They realize that there are other people there… a Princess and a band of Seventeenth Century pirates who are very much alive and well! They welcome the boys, and it becomes a heartwarming Christmas season story.

A repeat of Twas the Night Before Christmas with Greer Garson was originally planned for broadcast on this date.

The Cave was broadcast five different times on three CBS series. This was the only time it was used on Suspense. and is the fourth use on CBS. These are the five broadcasts, with three surviving:

1950-12-24 Escape
1952-12-25 Romance (missing)
1954-12-25 Romance (missing)
1955-12-20 Suspense
1956-12-22 Romance

Blogger Christine Miller notes that there are improvements in the music, dialogue, and presentation in the Suspense version compared to the original Escape production. It is not known if those improvements were made for the still-missing Romance productions of 1952 and 1954 and carried over into Suspense or if they were made for this Suspense broadcast.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP551220

THE CAST

Richard Beals (Dan as a boy), Billy Chapin (George Fennell), John Dehner (Dan Imbrie, the narrator), Hans Conried (Captain Blackton), Ben Wright (Namby / Voice), Larry Dobkin (Shill), Ellen Morgan (Alicia), Raymond Lawrence (Gonfalon), Larry Thor (Suspense Narrator)

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Monday, January 27, 2025

1955-12-13 A Present for Benny

Antony Ellis writes a Christmas story about gangsters in a comedic Runyon-esque style. Two rival gangsters want each other out of the way. Machine Gun Benny sends a note to Ricky McQueen that they’re going to shoot him next time they see him. Ricky decides to send him a Christmas gift as a peace offering, except it will be a gift of a timed explosive. Ricky’s girl wants an expensive fur, and he finally gives in, but he asks for an extra gift box that he will use for the bomb. It’s obvious that the packages will get mixed up, and even though you know they will, it’s still fun to listen how it happens. Of course, the fur goes to Machine Gun Benny, and he’s thrilled because his girlfriend is thrilled and never saw such a “herman” coat. That means only one thing. Ricky has the box that will blow up. One of his men, however, didn’t set the timer up correctly, on purpose. It is Christmas, after all. You shouldn’t do mob hits so close to the holidays. All is well, Benny apologizes for the threat to Ricky, and was so thrilled he invited everyone over for some “X-mas cheer.” (Don’t tell Ricky… he still has to buy his girlfriend that fur since the package was mis-directed!)

It’s a fun script with over-the-top stereotypical mob guy characterizations. With character names like Arnie the Grunt” and “No-Nose Fibush,” there must have been lots of laughter around the first desk-read of the script.

There are two surviving recordings, and the network broadcast is the better one. The Armed Forces Radio Service (AFRS) recording is of slightly lesser quality, but quite listenable.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP551213

THE CAST

Jack Kruschen (Ricky McQueen), Stacy Harris (Swifty), Eve McVeagh (Millie), Benny Rubin (Artie the Grunt + Machine Gun Benny), Junius Matthews (No-Nose Fibush), Joe Kearns (Mr. Minchin), Larry Thor (Narrator)

Peter Leeds was originally cast as “Artie the Grunt” and “Machine Gun Benny.” He was replaced by long-time vaudevillian, comedian, and radio and television actor Benny Rubin.

 Classic radio researcher and international voice actor Keith Scott notes:

I am again so impressed with the commitment of these classic radio actors who created these highly enjoyable hood characters just for this short broadcast. Kruschen is great as Ricky. Yes, it is definitely Benny Rubin replacing the original casting of Peter Leeds. Even though Leeds was capable and would do fine comedy parts for Stan Freberg's 1957 radio show, I think Ellis decided that Rubin was a better choice for this essentially comic gangster tale.

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Sunday, January 26, 2025

1955-12-06 When the Bough Breaks

This is the second broadcast of a Sheldon Leonard script about a newlywed couple and their strange honeymoon. The bride and groom are each in mortal fear of the other, in a very odd circumstance. The story opens with the husband carrying his wife over the doorstep of their honeymoon cottage. Their wedding was just one day after the bride was acquitted of the murder of her grandfather, from whom she inherited a large amount of money. The dark storyline features Virginia Gregg and Stacy Harris. The script was adapted by Antony Ellis.

The first broadcast was on 1951-05-03 and starred Rosalind Russell and Sheldon Leonard. Details about the story’s development, plotline and recordings can be found at

There are two surviving recordings, both in fine sound. There is a preference for the network recording because it was the initial broadcast. The Armed Forces Radio Service recording (AFRS#562) is newly discovered and new to circulation.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP551206

THE CAST

Virginia Gregg (Evelyn Stryker), Stacy Harris (Harry Stryker), Dick Beals (Delivery Boy), Joe Kearns (Corcoran / Doctor), Barney Phillips (Kahn the Cop), Larry Thor (Narrator)

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Saturday, January 25, 2025

1955-11-29 This Will Kill You

This is the second broadcast of a script written by the famous agent of Jack Benny, Irving Fein. He was a writer early in his career, and the pseudonym used for the first broadcast in 1945-08-23 was “I. A. Finley.” This time it’s “Peter Ashley.” That first broadcast had continuity issues, unintended, of course, as when it was written, it used certain wartime situations in the story, and was broadcast during one of the most fast-moving news periods of WW2 when the Pacific front was in the process of resolution.

For this broadcast, the timeline context was updated and it all flows better since it occurs without the event competition of rapidly unfolding WW2 events. The site of the story was changed from a wartime equipment factory to an aviation factory. The basic story remains intact. A worker is jealous of his boss’ love relationship with a woman who works in the plant. His delusional obsession for her leads him to develop an intricate plot to frame the boss for her murder. The story is not perfect, for sure, but it is a worthwhile listen. Sam Edwards plays the envious worker.

For information about the first broadcast that starred Dane Clark, go to:

There are two surviving recordings, and both are in fine sound. The network recording may be slightly better and preferred by many collectors. The Armed Forces Radio Service recording (AFRS#561) is newly discovered and new to circulation.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TPS551129

THE CAST

Sam Edwards (Joe Jordan), Vic Perrin (Charley Harris), Charles Seel (1st Voice / Priest), Leonard Weinrib (2nd Voice), Lillian Buyeff (Harriet Slate), Barney Phillips (Lt. Sullivan / Judge), Jim Nusser (Guard)

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Friday, January 24, 2025

1955-11-22 Classified Secret

This Antony Ellis script about two ordinary-looking people, actually Cold War spies, who meet in a park and go on a bus ride was originally used on Escape and broadcast 1953-04-12. It’s a good story and having nice-neighbor-next-door Parley Baer as a spy named Charlie Rader is quite entertaining. The two spies could not agree on a price for the information he had, so they parted ways. He gets on a bus east and meets Julie Spaulding who is heading to New York. She is played by Charlotte Lawrence in the very same role she had in the Escape production, also opposite Baer.

Howard McNear plays a spy named Hutchinson, and strikes up a conversation with Rader. He’s one of a few spies on the bus, including the woman Rader met in the park. They are clearly checking up on him, and are very concerned about him and the information and blueprints he has about a new jet motor, and they want to be sure they get it from him. Rader realizes (just in time for the mid-show break cliffhanger) that they’ll kill him if he doesn’t kill them first. The bus stops in New Mexico and Rader and Julie have breakfast at the counter while the spies watching him are sitting in a booth. He tries to tell her that there are spies watching him, and she doesn’t believe him. He tells her to just play along with him, and despite her skepticism, agrees. In a casual conversation supposedly about fishing, Hutchinson tangentially offers him $10,000 (worth about $120,000 in US$2025) for the information. At another bus stop there is a final confrontation where there are final negotiations and Rader had enough, shooting Hutchinson and his companion, and sends their bodies over the cliff. Spaulding is appalled and frightened, but he explains he had no choice. They return to the bus, the driver waits for the two missing passengers, and then rides on. At the next stop, there are FBI agents waiting for him. Then there are some surprises at the ending...

The original title of the script was “The Biggest Secret in the World,” changed in the few days before it aired on Escape.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP551122

THE CAST

Parley Baer (Charlie Rader), Howard McNear (Hutchinson), Virginia Eiler (Lisa Nyland), Charlotte Lawrence (Julie Spaulding), Richard Beals (Boy), Charles Seel (Bus Driver / Larry), Jim Nusser (The FBI Agent), Larry Thor (Narrator)

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Thursday, January 23, 2025

1955-11-15 Once a Murderer

This script was initially broadcast on 1951-11-05 as The Trials of Thomas Shaw. That broadcast that starred Joseph Cotten is still missing, but we are lucky that a second broadcast of the script, with a new title, is available.

This Antony Ellis story is about a laborer, Thomas Shaw, who volunteers confessions to two brutal murders. He thinks he’s outsmarting the justice system. He’s suspected of the first murder, and eventually pleads guilty. Once he’s in court and on the stand, he claims his innocence. He says that the only way to clear his name was to plead guilty and go to court to be found not guilty. It doesn’t work the second time! It’s a curious story, for sure, not a classic, but worthwhile to hear the gimmick play out. It would be interesting to hear how Cotten handles the part since he can play such parts with a sinister undercurrent. Perhaps a recording of that 1951 broadcast will surface one day.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP551115

THE CAST

Ben Wright (Thomas Shaw), Betty Harford (Peg), Paula Winslowe (Harriet), Richard Peel (Shinn / Foreman), Joe Kearns (Inspector), Charlie Lung (Mr. Cottle / Clerk), Ramsay Hill (Sir William File the Judge), John Dodsworth (Beckett), Herb Butterfield (Shakeshaft), Byron Kane (Lyons), Larry Thor (Narrator)

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Wednesday, January 22, 2025

1955-11-08 Report on the X-915

This William Froug script was used for the audition of a new program, Action 80, in 1952. Froug was a long time CBS employee starting early in the radio era and rising through the ranks to become a top company executive. At the time of the audition he was director of program writing. By the time the script was used on Suspense he was head of west coast programming.

The script was adapted for Suspense to tell the story of an experimental atomic submarine that is a target for sabotage. It seems the sub has been captured and communications with it are no longer possible. What will happen to the nuclear warheads that are on board?

The working title of the script was “X-915” and the words “Report on the” were handwritten on the script cover and throughout. The script certainly does not “feel” like a Suspense script. Why the script was used at this particular time is not known. It may be in response to the news cycle as the first nuclear-powered ship, the USS Nautilus was commissioned on September 30, 1954. The Nautilus started operating in 1955 and visited many east coast ports and bases that summer. It was in the news often for much of the year.

The surviving recording is a home aircheck that is listenable but low quality. The audition recording of Action 80 has much better and richer sound. Both recordings are included on the Internet Archive page. It is hoped that an Armed Forces Radio Service (AFRS) recording of the Suspense broadcast might be found in the future.

Hollywood Hostages was originally planned for this date. That script would not be broadcast until 1956-02-21.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP551108

THE CAST

Stacy Harris (Commander Richards), Jack Kruschen (Admiral Carruthers), Parley Baer (Lt. Commander Linden), Sam Edwards (Sailor / Voice), Herb Ellis (Red Dog One), Tom Hanley & Bill James (Ad-Libs), Larry Thor (Narrator)

Jim Nusser was originally cast as Admiral Carruthers, replaced by Jack Kruschen.

Kruschen was originally cast as “Red Dog One” and was replaced by Herb Ellis.

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Tuesday, January 21, 2025

1955-11-01 The Mountain

Parley Baer and Ben Wright star in the second performance of this Antony Ellis script about a dangerous climb up one of the world’s tallest peaks. The story begins with the team of six tired and half-frozen climbers at the 24,000 foot level. The peak is hidden in mist, and towers almost a mile above them. As they climb to the peak, there is a scream and a terrifying tug of the rope as one of the climbers plunges over the edge of a crevasse. That incident is all the more concerning as one climber has lost total trust in the other.

The script was previously used on 1953-03-16 and starred John Hodiak. For details about that broadcast and how Ellis’ script relates to climbs of Mount Everest at that time, go to

The script was originally planned for broadcast on October 25. 1955. It was held for another week, and was broadcast live.

John Hodiak passed away two weeks before this 1955 broadcast at age 41. It is not known if that played into the decision to schedule this second broadcast at this particular time. 

The surviving recording is of low quality with narrow range. It is hoped that an Armed Forces Radio Service (AFRS) transcription might be found to replace it sometime in the future.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP551101

THE CAST

Parley Baer (Bob Foster), Ben Wright (John Eldridge), Jim Nusser (Thomas), Herb Ellis (Harry Feldman), Vic Perrin (Perrucci), Bill James (Gaines), Larry Thor (Narrator)

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Monday, January 20, 2025

1955-10-25 To None a Deadly Drug

Writer Hank Searls offers a fine example of a Suspense story of people in danger not of their making and a race against time. The story is of its broadcast era. It had to be unsettling to listeners in 1955 when the premise was more prone to happen than it is today. The story was frighteningly plausible then, thankfully almost implausible 70 years later unless there is severe negligence. Pharmacies are far more regimented today, with vigilant automatic tracking of what is dispensed, and procedures to validate identities and match them with prescriptions and insurance coverage before handing them to the customer. Much of the drama’s duration is spent trying to find someone. This, too, might be unlikely in today’s world of smartphones, text messages, and GPS tracking. It is hard to imagine what life was like without such technologies, and this story gives a glimpse into those times, and the trouble it was to communicate in stressful emergencies.

The story stars Harry Bartell and Charlotte Lawrence as husband and wife who have a family-owned pharmacy, which is far less common today, as well. At the end of a day when the have an urgency to leave, a prescription is filled for a child. A mistake at the counter resulted in the child’s mother picking up the prescription intended for someone else, a heart medicine. It would be very dangerous if given to the child. The plot involves the tremendous effort to gather the resources of police and others to find the mother and child before an accidental and fatal event.

The working title was “To None a Deadly Poison.” The title comes from the Hippocratic Oath, and it can be translated into English as “Neither will I administer a poison to anybody when asked to do so, nor will I suggest such a course.” The change in wording of the title made it better and more ominous. Of course no one would want to administer a deadly poison unless they intended to commit an evil act. But changing it into “drug” made it fit into the storyline, a pharmacy, and that prescription drugs are intended to restore health. So “deadly drug” can evoke some listener curiosity.

The program was pre-recorded on Tuesday, October 18, 1955. The session begat at 11:30am and ended at 5:00pm. The recording commenced at 5:00pm and concluded at 5:30pm.

There are two surviving recordings, and the network recording is the much better of the two. The second recording is a very low quality Armed Forces Radio Service (AFRS) recording.

Classic radio enthusiast, researcher, and modern day performer Patte Rosebank noted at the Old Time Radio Researchers Facebook group page that the story idea may have come from the Elixir Sulfanilamide Disaster of 1937, which would still be in the public memory at the time of broadcast. The Food and Drug Administration has a magazine article from one of their 1981 publications that describes the events. It can be downloaded at https://www.fda.gov/files/about%20fda/published/The-Sulfanilamide-Disaster.pdf The document details the efforts to track down the shipments of the drug and includes an example of one incident that has some resemblance to this storyline:

Many doctors and pharmacists did everything in their power to recover the elixir. One physician postponed his wedding to help an FDA chemist search for a 3-year-old boy whose family had moved into mountain country after obtaining a prescription.

The story idea may have been sparked by a more recent incident, reported by United Press. This clip is from the 1954-12-24 Waco TX Times-Herald:



LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP551025

THE CAST

Harry Bartell (Cal Foster), Charlotte Lawrence (Marion Foster), Eve McVeagh (Mrs. Smith), Virginia Eiler (Operator / Waitress), Sammy Ogg (Tippy Smith), Hy Averback (Al the Disc Jockey), Larry Thor (Narrator), Jack Kruschen (Sheriff Gibbs), John Stephenson (First radio announcer / Dr. Peters)

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Sunday, January 19, 2025

1955-10-18 Life Ends at Midnight

This is the third production of a Robert Tallman script about an elderly woman who has a tenant with a life insurance policy. That can’t end well when her evil scoundrel of a son figures out there is a way to get the money from this innocent man. The program stars Paula Winslowe with Stacy Harris as the abusive and violent son.

The script was performed twice before with Fay Bainter in the lead. These links have details about the prior broadcasts:

1944

1948

The program was pre-recorded on Tuesday, October 11, 1955. The session begat at 11:30am and ended at 5:00pm. The recording commenced at 5:00pm and concluded at 5:30pm.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP551018

THE CAST

Paula Winslowe (Mrs. Bates), Stacy Harris (Walter Bates), Victor Rodman (Mr. Chalmers), Jim Nusser (Plumber / Joe the News Dealer), Bob Easton (Nick), Dick Ryan (Officer Flanagan), Larry Thor (Narrator)

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Saturday, January 18, 2025

1955-10-11 Heavens to Betsy

This Antony Ellis script is a curious science fiction story that is also a satire about the times it was broadcast. The early 1950s saw many UFO sightings, and there was a Cold War and paranoia that brought government agents and military into almost every strange event. So when a UFO lands in someone’s backyard, and the family claims it belongs to them, it poses some interesting and amusing situations. The father of the family sees it as a chance for fame and fortune. The authorities are convinced there are enemies on board and want to take hold of it. Most everyone else is either amazed or befuddled. The military comes and the way it is described is similar to the scene at the beginning of The Day the Earth Stood Still when that saucer is surrounded by military equipment. But that was Washington, DC. This is just a backyard, but you do get the sense that the house lot around the saucer is overwhelmed with the bulkiness of destructive equipment. For all of the talking and decisions and jockeying for position about the saucer, nothing really happens. They are quite surprised, and saddened, when the UFO suddenly leaves. (What were they saying inside? “There is no intelligent life on this planet”?). When all was said and done, more was said than done, and all they have are the brief memories of the landing and whatever lessons they may have learned from it. In the end, the story is not just science fiction, but the weighty topic of human nature.

This script was originally used in the series On Stage on 1954-03-24. That episode is not in circulation and may not have survived.

Regarding the show's title, the phrase “Heavens to Betsy” is of unknown origin, first used in print in the United States around the mid-1850s. The phrase has no apostrophe, and the show title reflects that. The On Stage script, however, lacks an apostrophe on its cover, but the other pages of the script have “Heaven’s to Betsy.” Such inconsistencies are common in scripts, but Antony Ellis could have some fun with punctuation and names now and then. Because duplicating scripts was costly and time consuming, such errors would be tolerated and corrected by hand during rehearsal, if necessary. The difference in spelling has no effect on pronunciation, making it understandable if a changed was deemed unnecessary on the hard copy script. CBS publicity sent to newspapers likely had no apostrophe since all newspaper listings that could be found did not have it. If the apostrophe was desired, researcher and performer Patte Rosebank notes that it would imply that “the UFO belonged to heaven, which gave it to Betsy.”

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP551011

THE CAST

Hy Averback (Henry Doyle), Truda Marson (Betsy Doyle), Richard Beals (Dickie Doyle), John Dehner (Narrator), Howard McNear (Scientist), Vic Perrin (Pthoth [radio villain] / General), Byron Kane (Captain Spaceman [radio hero] / D. A.), Virginia Eiler (Mrs. Ella Gilbert), Barney Phillips (Police Officer), Larry Thor (Suspense Narrator)

 In the On Stage production of 1954-03-24, Henry and Betsy were played by Elliott and Cathy Lewis; Ella was played by Mary Jane Croft. All of the other actors played the same roles in both productions. 

(Many thanks to classic radio enthusiast, researcher, and modern day performer Patte Rosebank for the On Stage information and the details of the title spelling).

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Friday, January 17, 2025

1955-10-04 Goodbye, Miss Lizzie Borden

This episode is the third time that Suspense presented the story of Lizzie Borden and the Fall River Tragedy on the series, each one of them a unique broadcast. These are the times it was presented, as well as a Crime Classics broadcast that was produced by Elliott Lewis.

Lillian de la Torre was a professional mystery writer. She wrote this play in 1947 for the stage. It appeared in a mystery anthology in March 1948, and was broadcast on television later that year in an Actors Studio production with Mary Wickes and Muriel Kirkland. It was later performed on Alfred Hitchcock Presents in January 1956 as The Older Sister. It is presented here on Suspense and adapted by Antony Ellis. It is a fictional story about the aftermath of the murders. Some of the Lizzie Borden stories concentrate on re-enacting the crime or the courtroom drama. This does not. It takes place on the anniversary of the murders when a reporter visits the Borden house and starts talking to the Borden sisters. She starts asking them questions about what happened. The interaction drives the sisters apart and Lizzie asks the reporter is asked to leave… without her notes.

De la Torre was a prominent mystery writer and served as President of the Mystery Writers of America. More can be learned about her at Wikipedia https://en.wikipedia.org/w/index.php?title=Lillian_de_la_Torre&oldid=1217819893

The play can be found starting at page 289 in the anthology The Web She Weaves: An Anthology of Mystery and Suspense Stories by Women published in 1983 by William Morrow and Company. It can be borrowed at the Internet Archive https://archive.org/details/isbn_0688048315

The program was recorded on Tuesday, September 27, 1955. The session began at 11:30am and continued to 5:00pm. Recording commenced at that time and was completed at 5:30pm.

There are two surviving recordings. The network recording is the better of the two but has some defects compared to some of the excellent recordings that are in the 1955 programs. The Armed Forces Radio Service (AFRS) recording has limited range and mild distortion.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP551004

THE CAST

Paula Winslowe (Miss Emma Borden), Irene Tedrow (Lizzie Borden), Virginia Gregg (Nellie Cutts), Helen Kleeb (Maggie), Leonard Weinrib (Expressman), Richard Beals (Child), Larry Thor (Narrator)

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Thursday, January 16, 2025

1955-09-27 The Frightened City

This is second production of a Morton Fine and David Friedkin script about the influence of crime in a Midwest town stars Harry Bartell. He plays a returning GI who finds his entire community is paralyzed by racketeers. His brother-in-law was killed in a drive-by shooting. “Everyone” knows who killed him, but they are fearful of stepping forward and reporting it to the police. He soon realizes that the corruption crept into his own extended family. He decides that something must be done to stop the violence, and he will have to be the person who does it.

The first broadcast starred Frank Lovejoy. Details about that and other aspects of the story are at

The program was recorded on Monday, September 19, 1955. The session began at 11:30am and concluded at 5:00pm. The recording began at that time and ended at 5:30pm.

There are two surviving recordings. The likely network recording is the better of the two. The recording is incomplete, with no mid-show commercial and a clipped close that ends the “Suspense March” prematurely. There is a possibility that it is an Armed Forces Radio Service (AFRS) recording that has been edited. The other recording is an Armed Forces Radio and Television Service (AFRTS) recording likely from the 1980s. It is complete for that format but has a cobbled-together show opening with pieces from various eras of the series. It is hoped that a complete network recording may be found or an AFRS recording, contemporary to its original broadcast, might be found as well. Until then, these recordings will have to suffice.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP550927

THE CAST

Harry Bartell (Nick Crawford), Charlotte Lawrence (Jane Stewart), Lou Merrill (Donley), Herb Butterfield (Osborne / Voice 2), Vivi Janiss (Mrs. Mason / Operator), Tom McKee (Tom Ruxton / Nolan), Larry Thor (Narrator)

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Wednesday, January 15, 2025

1955-09-20 The Stool Pigeon

This Antony Ellis script is about a group of prisoners who plan an escape from Devil’s Island. It has a cast of Suspense regulars, led by John Dehner as the mastermind behind the plan, and fellow prisoners played by Parley Baer, Joe Kearns, and Tony Barrett.

Devil’s Island is off the coast of French Guiana and the northern coast of South America. The island was so remote, some of the inmates were allowed to roam the island on their own. The combination of prison conditions and treatment, and the harsh environment of disease transmitted by insects and other issues, gave the prison that was part of the French prison system a terrible reputation. It was often used for the most violent of criminals. One of the prisoners is believed to be an informer who helps the warden and the guard thwart escape attempts. The prisoners decide they will make their escape by taking the warden as a hostage.

They start to negotiate with the warden and create a list of demands. If he signs an agreement to implement the changes, he will live. If not, he will die. They also demand that they be allowed to escape. Finally, they demand to know the identity of the informer; the warden first claims that there is none. He finally identifies Maquil as the stool pigeon. He is dismissed from the room and runs away, shot by guards as he tried to escape. In the end, all they get is some improvements to conditions with a month in solitary confinement. When one of them tries to escape later, it is not an informer who identifies him, but the native who sold him the boat. In the end, there is no real escape from Devil’s Island for any of them.

The inmates invent games to stay busy: the show opens with them having cockroach races and betting on them.

Wikipedia has the history of the island at https://en.wikipedia.org/wiki/Devil%27s_Island The prison was closed in 1953, two years before this broadcast.

On July 7, 1955, a little more than two months before this broadcast, the film We’re No Angels was released. It was a comedy about Devil’s Island escapees with Humphrey Bogart, Aldo Ray, and Peter Ustinov. It is a bizarre idea in light of the treatment of prisoners and that they decide to return there. That film was still in theaters at the time of this broadcast.

The script was originally planned for broadcast on 1955-08-09.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP550920

THE CAST

John Dehner (Thibaud), Parley Baer (Euxille), Joe Kearns (Maquil), Tony Barrett (Canneau), James Nusser (Dodan / Guard), Edgar Barrier (Governor Planche), Larry Thor (Narrator)

Jay Novello was originally planned for Maquil, and was replaced by Joe Kearns

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Tuesday, January 14, 2025

1955-09-13 A Story of Poison

This is the second broadcast of the story originally titled “Neill Cream, Doctor of Poison.” It is based on fact. The evil Dr. Cream’s story is very gruesome, and bringing it to the air required much “sanitizing” to be acceptable to the airwaves. He was a vicious killer, convicted of murder on two continents, and numerous other horrible crimes. In some ways, poisoning was the least of his terrible acts. What makes it also is his denying that many of his actions were criminal or unjustified. It all seemed perfectly reasonable to him. Limiting this Antony Ellis script to poisoning made the story easier to tell. Joe Kearns plays Dr. Cream.

Charles Laughton starred in the 1951-09-17 broadcast. Details about the historical Dr. Cream and that broadcast can be found at

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP550913

THE CAST

Joe Kearns (Dr. Cream), Paula Winslowe (Mrs. Minns), Tita Purdum (Daisy Minns), Virginia Gregg (Mildred), Herb Butterfield (Doctor / Police Sgt. Dean), Ben Wright (Edward Bridgman / Jailer), Raymond Lawrence (Inspector Waring), Ellen Morgan (Joyce), Larry Thor (Narrator)

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Monday, January 13, 2025

1955-09-06 Strange, for a Killer

John Dehner stars in the second production of this Robert Esson story. Dehner plays an ordinary family man who is dropped off from his work ride-share partner and starts walking home. A police officer stops him. The entire block where he lives is surrounded by police. A wanted killer is on the run from the police and is now holed up in an apartment… his own home! The killer is holding his wife and baby hostage. He finds a way to get into the building and strives to save his family from obvious danger.

The first broadcast of this episode was on 1951-03-15 and starred Van Johnson. For decades, the only copy that was available was the pre-recorded drama portion of the program. That would be broadcast and the commercials and music would be added live. Thankfully, a nearly complete home tape recorded aircheck of the broadcast recently became available. For more details about that broadcast and further background about the script, go to

The surviving recording has slight wow and flutter at its end from a problem with the tape recorder used to copy from the network master tape. The issue is in all circulating copies, indicating that they are from the same original source. It does not affect the dramatic portion of the program.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP550906

THE CAST

John Dehner (Henry Haydon), Tony Barrett (Roy Djaleska), Eve McVeagh (Jessy Haydon), Jack Kruschen (Police Lt. Case), Leonard Weinrib (Buck), Charles Seel (Roeder), Tom McKee (Charlie), Larry Thor (Narrator)

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Sunday, January 12, 2025

1955-08-30 The Lady in the Red Hat

This is the second production of the Clock Dailey story, adapted by Antony Ellis, about a newspaper reporter who is fascinated by the psychology of crime. His articles about a murderer who is still at large seem to make him the next logical candidate for the killer. It’s not the best Suspense script, for sure, and it’s not better the second time around. Van Heflin could not save it the first time. The Suspense ensemble cast of Vic Perrin, Virginia Gregg, and others do their best, but it is what it is. But there is one highlight… Larry Thor gets to play a police lieutenant on Suspense yet again…

The first production starred series favorite Van Heflin. Details about the story, Dailey, and the script’s original title are at

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP550830

THE CAST

Vic Perrin (Mitchell), Virginia Gregg (Jeanie), Larry Thor (Lieutenant Bill Dowell / Man 2 / Narrator), Barney Phillips (Banning), Jack Carol (Waiter / Man 1), Jenny Stevens (Receptionist)

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Saturday, January 11, 2025

1955-08-23 The Beetle and Mr. Bottle

This episode was a missing episode until it was found in a cache of AFRS discs that a group of collectors purchased in 2023. It is now available for the very first time with this blogpost.

Eric Snowden stars as Eldon Bottle in an entertaining Richard Chandlee script about a man who loves caring for his garden and will do most anything to protect it. Gardening keeps his mind off the loss of his wife from years ago, and he expects it will keep him busy when he retires from his bookkeeping job. His daughter, however, believes he will be better off if he marries once more, if he finds someone to do so. He is walking one day when he is nearly hit by a car if not for the shouted warning by Ethel Magwitch. It turns out that she’s been widowed, too. He narrates “I’ve never been sure which hit me that day, the car or Mrs. Magwitch...she was like an express train bearing down on me.” They soon marry. She moves into his house but she likes nothing about it, considering it small, and the old and sentimental furniture must go. Most of all, she considers the garden a waste of time and space, and she has plans for that and changing many other things. He manages to keep the garden while she changes everything else. He comes home one day and finds her son, Charlie, visiting, after his “release from the Navy.” (Ahem… yeah, right, “the Navy”). Clearly, something is up, and Charlie implies more changes are coming. The garden finally becomes the target of change. He warns her not to try it, and tells her to agree to a divorce, which she refuses. He describes her as “a monstrous female beetle perched on a chromium chair; it was only a matter of extermination.” That can mean only one thing, on Suspense. He plans a ruse to stay in the city overnight for the long hours of the annual audit at work. He packs his garden shears, too. He will go to work, work late, check into the hotel at a late hour, all in the development of an alibi and witnesses. Then he will sneak out, go back home, murder Ethel, then return to the hotel, undetected with the alibi in place. Things go in a different direction, however.

He does get home but Ethel puts up quite a fight, and he can’t accomplish the task. He decides to head back to London, leaving Ethel at home, very much alive. When he gets to the office that morning, police are outside. He decides not to go in but to call the police station back home, and tells them he will return immediately to the station. Why? Has Ethel reported his attack and does he have to confess to it? The police tell him that his wife is okay, but suffering from paranoia. She claims Eldon tried to attack her at night. They knew he was staying in the city so there was no way he could not have done so. Her erratic behavior with the police is a different matter. She’s being kept in a police cell and making quite a racket. She’s screaming and claiming that Eldon is Jack the Ripper. They give him papers to sign, committing her to a sanitarium. They also tell him that they were notified that Ethel was wanted by the authorities. She’s been running a scam of marrying widowers and fleecing them of their property. In the end, Eldon, and the garden, are safe. The alibi worked in his favor in an unexpected way.

This broadcast was missing for decades. No network recording has been found. This Armed Forces Radio Service recording, AFRS#547, is an extremely welcome find. The script was used again on Suspense after the series moved back to New York on 1959-09-20. That production starred John Gibson and has been in circulation for most of the classic radio hobby’s years.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP550823

THE CAST

Eric Snowdon (Eldon Bottle), Paula Winslowe (Ethel Magwitch), Ellen Morgan (Diana), Raymond Lawrence (Constable), Ben Wright (Charlie Magwitch / Doctor Fenrose), Larry Thor (Narrator)

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Friday, January 10, 2025

1955-08-16 A Study in Wax

This Antony Ellis script was originally used on Escape on 1953-02-01. It features the same cast, William Conrad and Stacy Harris, in a remarkable two-person play. The story is told from the perspective of Conrad’s character (Hanna) with a combination of narration and interaction with Harris’ character (Cabell). The listener starts to share their claustrophobia and cabin fever, too.

It is late October in Canada’s Yukon Territory. The two men are newly stationed in the wilderness to conduct scientific work related to the terrain and measurement of the shape of the Earth in a Canadian geodetic survey. The assignment will last seven months, made more challenging when their communications equipment failed. They can hear no radio broadcasts to pass the time. Cabell slowly loses his mind as the weather worsens and they need to spend more and more time sheltered in place, unable to go outside. They can still communicate with headquarters, but only by telegraph; their request for a replacement radio to be sent to them was refused. They open a crate with Christmas presents early; they are thrilled when it is a phonograph, but all but two of the records are broken. Even listening to the record of bugle calls helps pass the time. Cabell’s behavior becomes more belligerent as each day passes. The two men talk less and less, only when needed to complete their tasks. When Hanna expresses his extreme dislike of the other record, a classical piece, the men have a scuffle, and Harris’ character pulls a gun and threatens him. He forces Hanna outside. There is a perilous incident of walking on ice in the dark as Cabell tries to find Hanna. Is it to bring him back or to kill him? Cabell falls into the water, panicking, and is never found again.

Where does the title come from? The phrase usually means some kind of realistic three-dimensional artistic model made in wax. In this case, wax may refer to the records, since wax masters were created in early recording technology and became part of the process of pressing of records. The records were broken, except for two extremely different recordings, much like the two extremely different characters of the play.

This Suspense recording is in better overall sound than that of the surviving Escape broadcast. That recording is a composite of a disc recording for the first half followed by two airchecks of decreasing quality to complete the broadcast.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP550816

THE CAST

William Conrad (Jack Hanna), Stacy Harris (Larry Cabell), Larry Thor (Narrator)

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Thursday, January 9, 2025

1955-08-09 Love, Honor or Murder

William Conrad and Charlotte Lawrence star in the second broadcast of a Larry Marcus script that is about greed. They deliver another excellent performance.

Conrad portrays a cab driver who is dominated by his unscrupulous wife. He found a wallet in the cab that had $12,000 in cash. He wants to return the money, but she demands that he keep it. He realizes that he knows who left it and when, and that it will be reported. This is Suspense, so the solution seems simple. She wants her husband to find him and kill him before he has a chance to report the loss of the wallet. Things get a bit out of control at that point.

The original broadcast starred Elliott and Cathy Lewis. Details about that broadcast, the original title of the script, the current value of the lost money, and how today’s mobile phones would change the elements of the plot are at:

Stool Pigeon was originally planned for this date, but was held until later in September.

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP550809

THE CAST

William Conrad (Harry Blake), Charlotte Lawrence (Helen Blake), Barney Phillips (Dave Harris [voice 1]), Charles Seel (Garage Man [voice 3] / Walker), Helen Kleeb (Housekeeper [voice 2]), Jack Kruschen (Cab Driver), Bill Justine (Sergeant Graham), Larry Thor (Narrator)

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Wednesday, January 8, 2025

1955-08-02 Black Death

Lawrence Goldman offers another script for the series, this one about a laboratory cat that was accidentally infected with black plague bacteria. The script was originally used on Hollywood Star Playhouse on 1950-10-30 with the same title. It starred Robert Cummings; a recording of that broadcast has not been found. The script is interesting, but has some implausibilities that make it less enjoyable because they are so obviously unlikely.

Edgar Barrier portrays the doctor at that lab, the Biological Institute, who must track down the cat, with police assistance, and prevent a plague outbreak. They know the possibility of infection is real, because a laboratory assistant was scratched by the cat, and died suddenly. One of the subplots is that his daughter became very attached to the cat, named Jerry, and wants to see and play with him again. The other question is how much about the incident will be revealed to the public.

The story gets going when a lab assistant calls Barrier’s character worried that he has caught the plague. He mistook the symptoms as something else and did not inoculate himself soon enough. He dies right in front of him after he says that he was scratched by Jerry, the cat. He goes to see the chief of police to help track down the cat but prevent a panic. He explains that the cat has to be found, and the chief explains the size and scope of the city, and how difficult it will be to find it. They worry about a panic, and that worry intensifies when a tabloid reporter who overheard some of the conversation might be the one who causes it. A plot twist occurs when there is a report that Jerry was spotted in a nearby park where the doctor’s daughter likes to play, and was playing that day. Police were going through the park shooting animals that might be infected. (Really? Was that plausible at that time? The many gunshots would cause panic in the area and clog the phone switchboards of the local precincts). A shot is fired near where the daughter was playing. The daughter finds the cat and will not let anyone near it. She was upset when the doctor tries to approach her because he was wearing a surgical mask (Really? We’re supposed to believe that? She probably saw him in a mask in the lab many times). He removes the mask, and chloroforms the cat to remove it from the scene. When he gets home with his daughter and she starts asking what will happen to Jerry he will have a lot of explaining to do. Jerry won’t be back.

It is a fair question to ask why a cat would be allowed to roam a laboratory. There is always a possibility of contaminating lab samples or a curious cat could get into something by accident. But then… there would not be a story…

This story is similar to the rabies story that Suspense broadcast, 1954-03-01 The Barking Death. That story was far more realistic in comparison.

This Suspense broadcast was promoted with the name “Black Magic,” obviously changed before the broadcast date. It could have been a typographic error in the publicity department. If it wasn’t, it was likely changed because the 1942 song Old Black Magic was still very popular at this time and was released as a single by Sammy Davis, Jr. and was still being performed by others and used in movies.

There is another Suspense episode with this title, but the plotline is very different. That 1962-07-01 broadcast was about a mad scientist working on a disintegrating ray.

Goldman was author of other Suspense scripts, notably A Case of Nerves, Chicken Feed, and Alibi. Those were each better than this one. He was a freelance writer who was working on the staff of the Los Angeles Times as his full time position.

The mid-show promo was for the CBS coverage of the Hambletonian trotter race. It was a very big story at the time. Details of the race are at https://www.hambletonian.com/hambletonianhistory/1955

LISTEN TO THE PROGRAM or download in FLAC or mp3
https://archive.org/details/TSP550802

THE CAST

Edgar Barrier (Doctor Gebhardt), William Conrad (Police Chief Williams), Merry McGovern (Patty Gebhardt), Gil Frye (Dr. Mac / Police Radio voice), Jack Edwards (Ryan the reporter), James Nusser (Desk Sergeant), Joe Cranston (Intercom voice / Officer), Barney Phillips (Voice / Officer Blanchard at Washington Park), Larry Thor (Narrator)

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